VINAIspectro Manual

01Overview

VINAIspectro is an analysis tool, not a processor. It taps the signal and renders the spectrum in one of two personalities: RACK, a classic 31-band third-octave LED ladder that reads like hardware, and FFT, a high-resolution curve analyzer that splits the stereo image into its true components and draws MID and SIDE as separate simultaneous traces. What sits in the centre of your mix is the lava line; what lives in the width is the blue one.

The audio leaves exactly as it arrived: bit-transparent, sample-accurate, zero added latency. Park it anywhere in the chain, leave it on the master through bounce, A/B with it inserted: the sound never changes, only your view of it does. Hold the mouse on any peak in the FFT view and the cursor tells you the exact frequency, the musical note with its cents offset, and the level under the pointer.

02The interface

• Analyzer display (center): the RACK ladder or the FFT curves, with the same +6 to −60 dB rail in both views and a log frequency axis from 20 Hz to 20 kHz.
• MODE card (top row): flips between RACK and FFT. The choice is a plugin parameter, so it recalls with the session and can be automated.
• FREEZE: holds the current frame on screen so you can study a captured moment.
• Control strip (TRIM · AVG · PERSIST): display offset, analyzer release and peak-hold amount.
• OVER tag: wakes the instant the analyzed signal crosses full scale. It keys on the true level, before any display tilt.

03The two views

• RACK: 31 ISO third-octave bands from 20 Hz to 20 kHz, drawn as a real LED ladder. Each band integrates the full energy of its slice of spectrum (not a single bin), colour runs deep lava at the base to white-hot at the tip, and PERSIST leaves a specular peak-hold segment floating above each column. The ladder reads the MID signal, the mono truth.
• FFT: an 8192-point analysis drawn as smooth log-frequency curves. MID in lava with a filled body, SIDE in blue. Mono material leaves the SIDE trace flat at the floor by construction; anti-phase material zeroes the MID. Perfect for judging what stereo processing actually adds.
• Freq cursor (FFT view): press and hold anywhere in the plot. A crosshair locks to the spectrum with a dot pinned to the MID trace, and the readout shows frequency, note with cents (12-TET, A4 at 440 Hz) and level. Release to dismiss.
• Matched slopes, true numbers: the FFT applies +4.5 dB/oct to its spectral density and the RACK +1.5 dB/oct to its band energy, both pivoted at 1 kHz. Constant-Q integration already adds +3 dB/oct relative to density, so the two views carry identical display slopes: flip between them and the balance never jumps. The curve is the picture; the cursor readout and the OVER detector always use the true untilted level.

04Knobs & buttons

05Under the hood

VINAIspectro is deliberately all display, no DSP on the audio path. There is no filter, no gain stage and no processing of any kind between input and output. The analyzer reads the signal and hands the original samples straight back to the host, bit-for-bit. Everything you see happens downstream, on the GUI thread, decoupled from audio entirely.

Signal flow

• Bit-transparent stereo tap. On each audio block the input is copied (not routed) into a lock-free, single-producer / single-consumer ring of stereo frames and then passed through untouched. Both raw channels reach storage, because MID and SIDE are derived later, on the GUI side: a pre-mixed mono sum would destroy the SIDE information before it could be analyzed.
• Exact M/S derivation. MID = (L+R)/2, SIDE = (L−R)/2, computed per frame at the analysis boundary. Mono input produces a SIDE of exactly zero; anti-phase input produces a MID of exactly zero. What the traces show is what phase actually does, by construction.
• 8192-point FFT, Blackman-Harris. Each refresh windows the most recent 8192 frames with a 4-term Blackman-Harris and transforms MID and SIDE separately. Magnitudes are normalized so a full-scale sine reads 0 dB before tilt. Bin spacing is about 5.4 Hz at 44.1 kHz.
• Hop-anchored window. The analysis window end is quantized to a 1024-frame grid, so every transform covers a fixed absolute range of the signal. Without the anchor, the window slides a little on every refresh and stationary material shimmers.
• Two reads, two engines. The FFT view is the microscope: full-resolution spectrum sampling (peak-preserving where bins are dense, fractional-bin smooth where they are sparse), so needles stay needles and notches stay notches. The RACK is the meter: true band energy per third-octave, integrated with fractional edges and window-bandwidth normalization, so a sine reads its exact level and pink noise reads flat.
• Band energy integration. RACK band levels are the power sum of every bin inside the band's edges: true energy per third-octave, matching how an analog RTA integrates, then tilted with the same law as the FFT view so the views agree.
• Ballistics. Attack is fixed fast (15 ms class) so transients register instantly; AVG shapes only the release, from 60 ms to 2.4 s. Peak-hold decay is driven by PERSIST.
• Zero audio-thread contact. The ring buffer is the only point of contact between audio and GUI: one atomic counter, no locks, no allocation in the callback. The GUI refreshes at up to 125 Hz and idles itself when the host stops or the window is silent.

The net result: zero latency, zero coloration, zero self-noise. You can leave it inserted on the master through mixdown and bounce. The render is bit-identical with the analyzer in or out of the chain.

06Measured

Verified in-house by the plugin's own test suites (unit, stress and host-validation).

07Specifications