Harmonic Bass
An intelligent tonal enhancer for the low end, powered by the Adaptive Harmonic Core. It lifts your sub exactly where it counts, while a parallel odd-harmonic saturation path adds the upper harmonics that make bass read on phones, laptops and club tops alike. Controlled weight, real presence, locked to the key of your track.
VINAIultrabass adds weight and harmonics without a single sample of latency. The boost is a minimum-phase bell, the same curve an analog EQ draws, so nothing rings ahead of your kick, and bypass returns your signal bit-for-bit.
We ship numbers, measured to the floor of the instrument itself.
0 ms latency · bit-exact bypass · flat to ±0.01 dB · zero self-noise · 48 kHz
The Adaptive Harmonic Core plants pure, note-tuned weight exactly where your low end lives, anywhere from 14.6 Hz to 240 Hz across the entire sub and low-bass region. Point it at the root of your track and it lifts that note with surgical focus: controlled weight, zero mud. The readout shows the exact frequency in Hz and the nearest musical note, and FREQ SNAP locks the lift to the key of the track.
A pure sub disappears on a phone speaker. So ultrabass runs a parallel odd-harmonic soft-clip path alongside the clean lift. DRIVE pushes the signal into the clipper to generate H3 / H5 / H7 content, and DRIVE VOL blends exactly how much of that harmonic energy reaches the output. The ear reconstructs the missing fundamental, so the bass is felt even where it can't be heard.
A lab-grade analyzer draws the blue boost curve over real dB and Hz rulers with musical-note markers, pins each generated harmonic (H3 / H5 / H7…) at its true frequency, and a fixed peak readout in the display header shows the exact Hz, note and gain, so you read the low end instead of guessing. In the corner of the same plot, the Saturation Core shows the live transfer curve with drive, excursion and THD readouts, while each harmonic's level in dBc rides on its pin. DRIVE, DRIVE VOL and OUT are smoothed per sample and MIX glides on a 20 ms ramp, so you can ride the gains as fast as you like without zipper noise.
The lift and the saturation path are independent. Run either alone or blend the two. Lock the frequency to the key when you want the boost to sit perfectly in the track.
Lift only. Transparent, note-tuned weight from 14.6–240 Hz, no added harmonics. Pure, surgical low end.
Push the saturation path. Odd harmonics bloom on top of the sub so the bass cuts through on small speakers.
FREQ SNAP tunes the lift to the nearest musical note, locking your boost to the key of the song.
| Type | Harmonic bass enhancer: parametric bell + parallel odd-harmonic saturation |
| Frequency | 14.6–240 Hz · shown in Hz + nearest note · FREQ SNAP to note |
| Boost | Resonant bell gain up to +12 dB · independent from Width |
| Drive | Push into the parallel odd-harmonic soft-clipper |
| Drive Vol | Blend level of the saturated / harmonic path |
| Output | ±12 dB |
| Mix | 0–100% dry / wet · bit-exact dry at 0% |
| Display | Lab-grade analyzer: measured IN / OUT / SAT traces · dBFS/dB/Hz/note rulers · harmonic pins in dBc + peak readout · Saturation Core (transfer curve, drive, excursion, THD) |
| Phase | Minimum-phase bell, no pre-ringing · no comb filtering at any MIX |
| Latency | Zero (0 ms / 0 samples) |
| Formats | VST3 · AU |
| Systems | macOS 12+ (Universal) · Windows 10+ · 64-bit |
| Version | 1.0.0 |
Drive your weighted low band into tube, tape or fold while keeping the highs glassy. Four bands, five characters each.
Glue the enhanced bass into the mix with one control: three-band saturation, dynamics and safety clipping.
Catch the new low-end peaks at the very end. Three clip algorithms, a native 0 dBFS ceiling, up to 16× oversampling.